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Artist Statement
January 2006

These imagined abstract environments are based on emotional, rather than physical, spaces. The surfaces are developed intuitively using knives, brushes, fingers, and cloth to form dense, intersecting layers.

I make use of the way memory recycles and distorts experience, to create something new and emotionally charged. The process reveals clues about the deep, usually hidden nature of meaning/feeling/being in the world, bringing to light possibilities for transformation.